"Symphonie No. 1: Final" by Louis Vierne, John Porter, Christopher Robinson was released on 1982. Symphonie No. 1: Final is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 7 out of 14 in Choral Music by Brahms, Britten, Standford, Tippett, Harris by The Choir of St George's Chapel, Windsor, Christopher Robinson. Symphonie No. 1: Final is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie No. 1: Final by Louis Vierne, John Porter, Christopher Robinson is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Water Music Suite No. 1, HWV 348: Air | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 0 | 12B | 79 BPM | ||
3 Pieces for cello and piano: No. 3. Vite et nerveusement rythme | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | D♭ Major | 1 | 3B | 151 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Symphony No. 1 for Organ and Orchestra, Op. 42: III. Finale | Alexandre Guilmant, Ian Tracey, Yan Pascal Tortelier, BBC Philharmonic | G Minor | 2 | 6A | 82 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Toccata In F Major | Jules Grison, Charles-Marie Widor, David M Patrick | F Major | 3 | 7B | 102 BPM |