Benedetto Ferrari, Il Complesso Barocco/Alan Curtis made "Il Sansone (Oratorio in due canti), Canto Primo: Degno Amor, quanto stringenti (Dalila)" available on 2000. With Il Sansone (Oratorio in due canti), Canto Primo: Degno Amor, quanto stringenti (Dalila) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. In terms of popularity, Il Sansone (Oratorio in due canti), Canto Primo: Degno Amor, quanto stringenti (Dalila) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Il Sansone (Oratorio in due canti), Canto Primo: Degno Amor, quanto stringenti (Dalila) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kuh-Pareh: Staralla ben cussì | Anomymous, Constantinople, Kiya Tabassian, Marco Beasley | G Major | 6 | 9B | 127 BPM | ||
Son ruinato, appassionato | Benedetto Ferrari, Le Poème Harmonique, Vincent Dumestre | G Minor | 1 | 6A | 67 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
Recercada ottava La Gamba | Diego Ortiz, Mika Suihkonen | F♯ Minor | 2 | 11A | 106 BPM | ||
Ardo, lassa, o non ardo? | Sigismondo D'India, Julie Roset, Mariana Flores, Cappella Mediterranea, Leonardo García-Alarcón | G Minor | 1 | 6A | 125 BPM | ||
Cantata spirituale "Queste pungenti spine": IV. Ultima parte | Benedetto Ferrari, Oslo Circles, Marianne Beate Kielland | E Major | 0 | 12B | 111 BPM | ||
Johannes-Passion, BWV 245.1: 30. Aria: Es ist vollbracht | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, Konrad Führer | A Minor | 2 | 8A | 125 BPM | ||
Deggio amarvi | Benedetto Ferrari, Luca Dordolo/Il Complesso Barocco/Alan Curtis | C Major | 0 | 8B | 83 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM |