"Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato" by Jean Sibelius, Leonard Bernstein, New York Philharmonic was released on 1965. Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Sibelius: Symphony No. 2 in D Major, Luonnotar & Pohjola's Daughter". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato by Jean Sibelius, Leonard Bernstein, New York Philharmonic having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto - Live | Johannes Brahms, Gidon Kremer, Wiener Philharmoniker, Leonard Bernstein | E Major | 2 | 12B | 119 BPM | ||
The Barber of Seville: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 2 | 12B | 175 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andantino, come prima - Meno mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 95 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Symphony No. 8: II. Scherzo. Allegro moderato — Trio. Langsam (Slow). Scherzo da capo | Anton Bruckner, New York Philharmonic, Alan Gilbert | A♭ Major | 1 | 4B | 109 BPM | ||
Violin Concerto, Op. 36: 2. Andante grazioso | Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Minor | 1 | 7A | 103 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | D Minor | 4 | 7A | 96 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM | ||
Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 80 BPM |