"Nocturne No. 21 in C Minor, KK IVb/8" by Frédéric Chopin, Lívia Rév was released on November 28, 1989. The duration of Nocturne No. 21 in C Minor, KK IVb/8 is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Nocturne No. 21 in C Minor, KK IVb/8's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 21 in Chopin: Complete Nocturnes by Frédéric Chopin, Lívia Rév. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Nocturne No. 21 in C Minor, KK IVb/8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne No. 21 in C Minor, KK IVb/8 by Frédéric Chopin, Lívia Rév is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
24 Préludes, Op. 28: No. 15 Sostenuto in D-Flat Major, C. 180 "Raindrop Prelude" | Lang Lang | D♭ Major | 0 | 3B | 134 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Lang Lang | G Major | 0 | 9B | 76 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Chaconne in sol maggiore : Variazione 9 | Lazar Berman | G Minor | 0 | 6A | 66 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM |