Leo Slezak made "Wohin? (Ich Hört Ein Bächlein Rauschen), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...)" available on May 5, 2010. The duration of Wohin? (Ich Hört Ein Bächlein Rauschen), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Wohin? (Ich Hört Ein Bächlein Rauschen), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 11 out of 22. Wohin? (Ich Hört Ein Bächlein Rauschen), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Wohin? (Ich Hört Ein Bächlein Rauschen), Die Schöne Müllerin Op. 25 D 795 Nr. 1-20 (Liederzyklus N...) by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Tosca, Act 3: "O dolci mani mansuete e pure" (Cavaradossi, Tosca) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 1 | 8B | 69 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | F Major | 4 | 7B | 78 BPM | ||
L'elisir d'amore, Act I: Una parola | Gaetano Donizetti, Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 4 | 6B | 121 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "Le ciel est noir, il va pleuvoir" - Quatuor. "Métella !" - Dialogue. "Gardefeu !" (Bobinet, Gontran, Gardefeu, Métella, Chœur) | Jacques Offenbach, Michel Plasson, Choeur Du Capitole De Toulouse, Henri Amiel, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | A♭ Major | 3 | 4B | 111 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
Hidden Faces | Karl Jenkins, Kathryn Rudge, World Orchestra For Peace | D♭ Major | 2 | 3B | 93 BPM | ||
Sadko, Scene 4: Song of the Hindu Merchant (Hindu Merchant) | Nikolai Rimsky-Korsakov, Gennady Rozhdestvensky, Philharmonia Orchestra, Sergej Larin | D Major | 2 | 10B | 99 BPM | ||
La Tempestad, Acto II: Diamantes Brasileños (Terceto del Collar) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Carlos Munguia, Pilar Lorengar, Tony Rosado, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | A♭ Major | 3 | 4B | 76 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Il turco in Italia, Act I: No mia vita, mio tesoro (Critical Ed. Margaret Bent) | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 3 | 12B | 130 BPM |