"Bwv 659: Nun Komm, Der Heiden Heiland" by Ton Koopman was released on June 1, 1986. With this song being about 5 minutes long, at 4:30, "Bwv 659: Nun Komm, Der Heiden Heiland" by Ton Koopman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ton Koopman's "Johann Sebastian Bach: Orgelwerke" album is number 4 out of 7. Bwv 659: Nun Komm, Der Heiden Heiland is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bwv 659: Nun Komm, Der Heiden Heiland by Ton Koopman to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
Concerto No. 3 in B Minor, SF 937 "La Cetra": I. Andante larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | B♭ Minor | 1 | 3A | 100 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter Kooij, Paul Dombrecht | F♯ Minor | 1 | 11A | 82 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 135 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: V. Gloria | Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Les Arts Florissants, Bernard Deletré, William Christie, Jean-Paul Fouchécourt, Noemi Rime | D♭ Minor | 1 | 12A | 112 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: II. Gott hilf Mir | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Sebastian Myrus, Ensemble Masques, Olivier Fortin | C Minor | 1 | 5A | 138 BPM | ||
Concerto for Viola d'amore, Lute and Orchestra, RV 540: I. Allegro | Antonio Vivaldi, Amsterdam Baroque Orchestra, Yo-Yo Ma, Ton Koopman | D♭ Minor | 1 | 12A | 140 BPM |