"Concerto for Orchestra, BB 123: I. Introduzione: Andante non troppo - Allegro vivace" by Béla Bartók, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari was released on November 6, 1990. Concerto for Orchestra, BB 123: I. Introduzione: Andante non troppo - Allegro vivace appears to be safe for all ages as it is not explicit. The song is number 1 out of 9 in Bartok: Concerto for Orchestra / Music for Strings, Percussion and Celesta by Béla Bartók, Alexander Rahbari. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Concerto for Orchestra, BB 123: I. Introduzione: Andante non troppo - Allegro vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Orchestra, BB 123: I. Introduzione: Andante non troppo - Allegro vivace by Béla Bartók, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Mendelssohn-Hensel, F: String Quartet in E-Flat Major: II. Allegretto | Fanny Mendelssohn, Quatuor Ébène | C Minor | 3 | 5A | 151 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
String Quartet No. 6, Sz. 114: 4. Mesto | Béla Bartók, Tokyo String Quartet | D♭ Major | 0 | 3B | 173 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM |