"Flammae divinae, Op. 5: In nomine Iesu" by Jan Baptist Verrijt, Consort Of Musicke was released on 2013. The duration of Flammae divinae, Op. 5: In nomine Iesu is about 3 minutes long, at 3:21. Based on our data, "Flammae divinae, Op. 5: In nomine Iesu" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 18 in Flammae divinae, Opus 5 by Jan Baptist Verrijt, Consort Of Musicke. Flammae divinae, Op. 5: In nomine Iesu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flammae divinae, Op. 5: In nomine Iesu by Jan Baptist Verrijt, Consort Of Musicke is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantata "Amor Hai Vinto" RV 651: 1. Amor, hai vinto...2. Passo di pena in pena | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 131 BPM | ||
St. Matthew Passion, BWV 244: Part I: Recitative and Chorus: Aber am ersten Tage der sussen Brot | Johann Sebastian Bach, Peter Schreier, Theo Adam, Leipzig Thomaner Choir, Leipzig Gewandhaus Orchestra, Dresdner Kreuzchor, Erhard Mauersberger | B♭ Major | 2 | 6B | 134 BPM | ||
Mass in B Minor, BWV 232: Credo. Patrem omnipotentem (Chorus) | Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 4 | 3B | 94 BPM | ||
Pieces de clavecin en concerts: Concert No. 1 in C Minor: I. La Coulicam (Rondement) | Jean-Philippe Rameau, London Baroque | C Minor | 5 | 5A | 155 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 52 "Können Tränen meiner Wangen" | Johann Sebastian Bach, Anne Sofie von Otter, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 72 BPM | ||
I. Ein Feste Burg Ist Unser Gott BWV 80, Coro: Ein Feste Burg Ist Unser Gott | Holland Boys Choir; Netherlands Bach Collegium, Frank Wakelkamp, Knut Schoch, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Martin Mans, John Wilson Meyer, Peter Frankenberg, Pieter Jan Leusink | D♭ Major | 3 | 3B | 88 BPM | ||
Flammae divinae, Op. 5: Ave, dulcis Iesu | Jan Baptist Verrijt, Consort Of Musicke | B♭ Major | 0 | 6B | 87 BPM | ||
Magnificat in D, BWV 243: Et exultavit (soprano 2) | Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music | D♭ Major | 1 | 3B | 127 BPM | ||
Quae habitas in hortis | Jan Baptist Verrijt, Musica Amphion, Pieter-Jan Belder, Nico Van Der Meel, Bas Ramselaar | D♭ Minor | 1 | 12A | 117 BPM |