Ludwig van Beethoven, Mstislav Rostropovich, Sviatoslav Richter's 'Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1. Adagio sostenuto - Allegro' came out on January 1, 2012. Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1. Adagio sostenuto - Allegro appears to be safe for all ages as it is not explicit. The track order of this song in Mstislav Rostropovich's "Mstislav Rostropovich - The Complete Decca Recordings" album is number 1 out of 51. Based on our statistics, Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1. Adagio sostenuto - Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for Cello and Piano No.1 in F, Op.5 No.1: 1. Adagio sostenuto - Allegro by Ludwig van Beethoven, Mstislav Rostropovich, Sviatoslav Richter to be Allegro (fast, quick, and bright) because the track has a tempo of 146 テンポ, a half-time of 73テンポ, and a double-time of 292 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": 4. Presto - Allegro ma non troppo | Ludwig van Beethoven, Katerina Beranova, Lilli Paasikivi, Robert Dean Smith, Hanno Müller-Brachmann, GewandhausChor, GewandhausKinderchor, MDR Rundfunkchor, Gewandhausorchester Leipzig, Riccardo Chailly | D Major | 3 | 10B | 78 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
26 Welsh Songs, WoO 155: No. 8, Farewell, Thou Noisy Town | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | D Major | 3 | 10B | 47 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Minor | 2 | 4A | 172 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM |