"Sonata prima per Trompetta sola: V. Adagio" by Giovanni Buonaventura Viviani, Oliver Lakota, Stefan Kießling was released on January 25, 2021. With Sonata prima per Trompetta sola: V. Adagio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Zauber des Barock by Oliver Lakota, Stefan Kießling. The song's track number on the album is #6 out of 8 tracks. Sonata prima per Trompetta sola: V. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata prima per Trompetta sola: V. Adagio by Giovanni Buonaventura Viviani, Oliver Lakota, Stefan Kießling has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata prima per Trompetta sola: V. Adagio being at 87 テンポ, the half-time would be 44 テンポ with a double-time of 174 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 127 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): III. Siciliana | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | A Minor | 0 | 8A | 77 BPM | ||
Suite in D Major: Minuet | Jeremiah Clarke, Bernhard Kratzer, Monika Nuber | D Major | 1 | 10B | 100 BPM | ||
Concerto for Trumpet and 2 Oboes in D Major: II. Largo | Johann Friedrich Fasch, Reinhold Friedrich, Lajos Lencsés, Laszlo Parkanyi, Aladar Tuske, Budapest Strings | E Major | 0 | 12B | 130 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Suite in D: 3. Sybelle | Jeremiah Clarke, Håkan Hardenberger, Simon Preston | D Major | 0 | 10B | 168 BPM | ||
Trumpet Concerto in D Major, "Estienne Roger 188": III. Presto | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | A Major | 4 | 11B | 122 BPM | ||
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | ||
Trio Sonata in G Major: I. Largo | Johann Gottlieb Graun, Berliner Barock Compagney | F♯ Major | 1 | 2B | 97 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM |