Johann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer made "Laudate pueri Dominum: No. 4, Excelsus super omnes gentes Dominus" available on October 15, 2021. With Laudate pueri Dominum: No. 4, Excelsus super omnes gentes Dominus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer, Opella Musica's "Kuhnau: Complete Sacred Works, Vol. 6" album is number 11 out of 24. In terms of popularity, Laudate pueri Dominum: No. 4, Excelsus super omnes gentes Dominus is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Laudate pueri Dominum: No. 4, Excelsus super omnes gentes Dominus by Johann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes-Passion, BWV 245.1: 27. Recitativo: Die Kriegsknechte aber | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 2. Hosanna | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 110 BPM | ||
Ach Gott, wie manches Herzeleid, BWV 3: Ach Gott, wie manches Herzeleid (Chorus) | Johann Sebastian Bach, Dorothee Mields, Pascal Bertin, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | A♭ Major | 1 | 4B | 84 BPM | ||
Missa Paschalis, ZWV 7: Dona nobis pacem | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 1 | 4B | 173 BPM | ||
Missa ex B: XXI. Amen - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM | ||
Missa in Angustiis "Lord Nelson Mass": Missa in Angustiis "Lord Nelson Mass": IV. Quoniam | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | D Major | 3 | 10B | 123 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Gott, sei mir gnädig nach deiner Güte: IV. Recitativo, Chor "An dir allein, hab ich gesündiget" | Johann Kuhnau, Deborah York, Philippe Herreweghe, Collegium Vocale Gent | A Major | 0 | 11B | 69 BPM | ||
Christ lag in Todes Banden, BWV 4: IV. Aria "Jesus Christus, Gottes Sohn" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 4 | 12B | 101 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM |