Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar made "Rappresentatione di Anima, et di Corpo, Atto secondo: Scena terza (Choro)" available on 2004. With Rappresentatione di Anima, et di Corpo, Atto secondo: Scena terza (Choro) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 31 in Cavalieri: Rappresentatione di Anima, et di Corpo by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar. In terms of popularity, Rappresentatione di Anima, et di Corpo, Atto secondo: Scena terza (Choro) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena terza (Choro) by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
Herr, nun lässest du deinen Diener in Friede fahren, SWV 281 | Heinrich Schütz, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 60 BPM | ||
Rappresentatione di Anima et di Corpo: Scena VI Nr. 29 "Fortissimi guerrieri" | Emilio de' Cavalieri, Teresa Żylis-Gara, Capella Academica Wien, Ensemble Wolfgang von Karajan, Sir Charles Mackerras | G Major | 2 | 9B | 82 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM | ||
Rappresentatione di anima, et di corpo: Salite pure al cielo (Live) | Emilio de' Cavalieri, Claudio Cavina, Guiseppe Maletto, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini | G Major | 1 | 9B | 73 BPM | ||
Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): Se la mia morte brami | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A Major | 1 | 11B | 115 BPM | ||
A Solfing Song | Thomas Tallis, The Rose Consort Of Viols | E Major | 0 | 12B | 96 BPM |