"Requiem: VIII. Ingemisco" by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Stuart Neill was released on August 24, 2009. The duration of Requiem: VIII. Ingemisco is about 3 minutes long, at 3:28. Based on our data, "Requiem: VIII. Ingemisco" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. The song's track number on the album is #8 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Requiem: VIII. Ingemisco is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem: VIII. Ingemisco by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Stuart Neill has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem: VIII. Ingemisco being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Das Paradies und die Peri, Op. 50, Zweiter Teil: No. 12 Fort streift von hier das Kind der Lüfte | Robert Schumann, London Symphony Orchestra, Sir Simon Rattle, Sally Matthews, Mark Padmore | G Minor | 0 | 6A | 137 BPM | ||
Das Paradies und die Peri, Op. 50, Dritter Teil: No. 23 Hinab zu jenem Sonnentempel | Robert Schumann, London Symphony Orchestra, Sally Matthews, Bernarda Fink, Sir Simon Rattle, Mark Padmore, Florian Boesch | G Major | 1 | 9B | 142 BPM | ||
Elektra, Op. 58: "Wo bleibt Elektra?" | Richard Strauss, Valery Gergiev, Ekaterina Popova, Olga Legkova, Ekaterina Sergeeva, Tatiana Kravtsova, London Symphony Orchestra, Lia Shevtsova | G Major | 2 | 9B | 78 BPM | ||
Tosca / Act 1: "Un tal baccano in chiesa! Bel rispetto!" | Giacomo Puccini, Ingvar Wixell, Piero de Palma, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Major | 2 | 9B | 105 BPM | ||
Messa di Requiem: Lux aeterna | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | B♭ Major | 1 | 6B | 86 BPM | ||
Puccini: La rondine, Act 1: "No… Adesso non burlatemi" (Magda, Périchaud, Crébillon, Gobin, Rambaldo, Prunier, Yvette) | Giacomo Puccini, Alberto Rinaldi, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Il Trovatore / Act 4: "Siam giunti: ecco la torre" | Giuseppe Verdi, Graham Clark, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 0 | 3B | 72 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene (Allegro - Allegro giusto) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | F Minor | 2 | 4A | 78 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Stabat Mater: 6. Vidit suum | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | F Minor | 0 | 4A | 138 BPM |