Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus

Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti
Mozart: Requiem
2:51 1992年1月1日
テンポ
100
キー
B♭ Major
キャメロットミュージックキー
6B

リンクを埋め込む

共有

Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus - Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti 情報

音響性
98%
ダンサビリティ
21%
エネルギー
27%
手段性
78%
活気
7%
ラウドネス
67%
話し言葉
4%
価数
7%
人気
ラウドネス
-19.6 dB

まとめ

"Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus" by Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti had its release date on January 1, 1992. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Sir Georg Solti's "Mozart: Requiem" album is number 16 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus テンポ

We consider the tempo marking of Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus by Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus キー

The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Chopin: 12 Etudes, Op. 25: No. 1 in A-Flat Major, Chopin: 12 Etudes, Op. 25: No. 1 in A-Flat Major, "Aeolian Harp"Frédéric Chopin, Nikolai LuganskyA♭ Major04B66 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo by Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : I. LargoArcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella IstropolitanaA Major111B81 BPM
Mephisto Waltz No. 1, S. 514 by Franz Liszt, Khatia BuniatishviliMephisto Waltz No. 1, S. 514Franz Liszt, Khatia BuniatishviliE Major212B132 BPM
Vocalise, Op. 34, No. 14 by Sergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelVocalise, Op. 34, No. 14Sergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelE Minor19A76 BPM
Sonata No. 15 in C Major, I. Allegro by Maria João PiresSonata No. 15 in C Major, I. AllegroMaria João PiresC Major18B136 BPM
L'Arlésienne Suite No. 2: Menuet by Georges Bizet, Orchestre Symphonique de Montréal, Charles DutoitL'Arlésienne Suite No. 2: MenuetGeorges Bizet, Orchestre Symphonique de Montréal, Charles DutoitE♭ Major05B128 BPM
Kinderszenen, Op. 15: 7. Träumerei by Robert Schumann, Martha ArgerichKinderszenen, Op. 15: 7. TräumereiRobert Schumann, Martha ArgerichF Major07B130 BPM
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaKeyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di moltoCarl Philipp Emanuel Bach, Ana-Marija MarkovinaA Major111B0 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Ascanio in Alba, K. 111: Overture by Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques GrimbertAscanio in Alba, K. 111: OvertureWolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques GrimbertA♭ Major14B150 BPM
ISRC
GBF079140916
レコードレーベル
L-M Records/RCA Records