Johann Sebastian Bach, Posaunenquintett Berlin's 'Lobet den Herrn, den mächtigen König' came out on January 1, 2008. With Lobet den Herrn, den mächtigen König being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Tochter Zion - festliche Posaunenmusik". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Germany. Lobet den Herrn, den mächtigen König is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lobet den Herrn, den mächtigen König by Johann Sebastian Bach, Posaunenquintett Berlin having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Freude schöner Götterfunken | Die Priester | F Major | 6 | 7B | 123 BPM | ||
Jesus Child | John Rutter, City of London Sinfonia, The Cambridge Singers | F Major | 1 | 7B | 138 BPM | ||
Vom Himmel hoch, da komm ich her (Chorus) | Felix Mendelssohn, Egbert Junghanns, Ute Selbig, Dresden Kreuzchor, Dresdner Philharmonie, Martin Flämig | G Major | 2 | 9B | 92 BPM | ||
Hört doch in den Stuben | Philharmonischer Kinderchor Dresden | B♭ Minor | 3 | 3A | 140 BPM | ||
Maria Durch ein Dornwald ging (Arr. Stefan Claas) | Traditional, Voces8 | F♯ Minor | 1 | 11A | 84 BPM | ||
Nun danket alle Gott | Martin Rinckart, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | F Major | 2 | 7B | 77 BPM | ||
Music for The Royal Fireworks, HWV351: La Réjouissance | George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | D Major | 2 | 10B | 81 BPM | ||
Alleluia (Pachelbel’s Canon) | Johann Pachelbel, The Priests, Allan Wilson, Slovak National Symphony Orchestra | D Major | 4 | 10B | 104 BPM | ||
Wenn das Brot, das wir teilen | Die Priester | D Major | 4 | 10B | 176 BPM | ||
Segne Du, Maria | Kirchenchor Waldorf | C Major | 1 | 8B | 74 BPM |