"Quatre Morceaux, Op. 56" by Alexander Scriabin, Vladimir Ashkenazy was released on January 1, 1997. With this song being about 5 minutes long, at 5:02, "Quatre Morceaux, Op. 56" by Alexander Scriabin, Vladimir Ashkenazy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Scriabin:The Piano Sonatas". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Quatre Morceaux, Op. 56 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quatre Morceaux, Op. 56 by Alexander Scriabin, Vladimir Ashkenazy having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelle in A Minor, WoO 59 "Für Elise" - Live | Ludwig van Beethoven, Vladimir Ashkenazy | A Minor | 0 | 8A | 134 BPM | ||
Iberia - Piano (Pub.1906) - Book 3: 10. Málaga | Isaac Albéniz, Alicia de Larrocha | F♯ Major | 1 | 2B | 77 BPM | ||
Piano Concerto No. 2 in G minor Op. 16: Finale (Allegro tempestuoso) | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | D Minor | 2 | 7A | 92 BPM | ||
Lieder ohne Worte, Op.62: No. 4 Allegro con anima in G, MWV U 175 - "Morning Song" | Felix Mendelssohn, Daniel Barenboim | G Major | 1 | 9B | 49 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | A♭ Major | 2 | 4B | 87 BPM | ||
Préludes / Book 1, L. 117: 7. Ce qu'a vu le vent d'ouest | Claude Debussy, Pascal Rogé | G Major | 2 | 9B | 110 BPM | ||
24 Preludes, Op. 11: No. 19 in E-Flat Major | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 2 | 5B | 101 BPM | ||
Haiku For Yu-Chee | Howard Blake, Vladimir Ashkenazy | C Major | 0 | 8B | 76 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Symphonic Studies, Op. 13: Theme | Robert Schumann, Maurizio Pollini | D♭ Major | 2 | 3B | 136 BPM |