"Der Rosenkavalier: Walzerfolge No. 2, TrV 227a" by Seattle Symphony Orchestra was released on September 4, 2012. Since Der Rosenkavalier: Walzerfolge No. 2, TrV 227a is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 3 in the song's album "Strauss: Der Rosenkavalier: Orchestral Suite and Waltz Sequences". In this album, this song's track order is #3. In terms of popularity, Der Rosenkavalier: Walzerfolge No. 2, TrV 227a is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier: Walzerfolge No. 2, TrV 227a by Seattle Symphony Orchestra having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vietnam (We Know Too Many of These Kids) [Mr Holland's Opus] | Michael Kamen, Seattle Symphony Orchestra | B♭ Major | 0 | 6B | 73 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
L'Oiseau de feu (1911 Version): X. Khorovod (Ronde) des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 0 | 4A | 68 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Symphony No. 4: Piacevole | Walter Piston, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 0 | 9B | 84 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Merry Mount Suite, Op. 31: III. Love Duet | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 1 | 11B | 98 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Alleluia and Fugue, Op. 40b | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 1 | 9A | 82 BPM |