"L’opéra de quat'sous, Act I: Love song" by Kurt Weill, Le Balcon, Maxime Pascal, Birane Ba, Marie Oppert had its release date on September 22, 2023. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill, Brecht & Hauptmann: L'opéra de quat'sous by Kurt Weill, Le Balcon, Maxime Pascal. The song's track number on the album is #19 out of 57 tracks. Based on our data, France was the country where this track was produced or recorded. L’opéra de quat'sous, Act I: Love song is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L’opéra de quat'sous, Act I: Love song by Kurt Weill, Le Balcon, Maxime Pascal, Birane Ba, Marie Oppert has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With L’opéra de quat'sous, Act I: Love song being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Erlkönig, D.328 (Op. 1) | Franz Schubert, Jessye Norman, Phillip Moll | F♯ Minor | 1 | 11A | 76 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | B♭ Major | 1 | 6B | 82 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 1 | 8B | 124 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Clowns and Kids Suite (arr. F. Strobel): V. Waltz | Alfred Schnittke, Frank Strobel, Berlin Radio Symphony Orchestra | C Minor | 2 | 5A | 112 BPM | ||
Youkali | Kurt Weill, Fatma Said, Quinteto Ángel, Tim Allhoff, Heinrich Kobberling | C Major | 1 | 8B | 116 BPM | ||
4 Lieder, Op. 27, TrV 170: 4. Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | G Major | 0 | 9B | 171 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM |