"Lulu / Act 2: "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot"" by Alban Berg, Teresa Stratas, Yvonne Minton, Kenneth Riegel, Franz Mazura, Gerd Nienstedt, Orchestre de l'Opéra de Paris, Pierre Boulez was released on January 1, 2000. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 36 in Berg: Lulu by Alban Berg, Teresa Stratas, Orchestre de l'Opéra de Paris, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Lulu / Act 2: "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lulu / Act 2: "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot" by Alban Berg, Teresa Stratas, Yvonne Minton, Kenneth Riegel, Franz Mazura, Gerd Nienstedt, Orchestre de l'Opéra de Paris, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valses nobles et sentimentales, M.61 - for Orchestra: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Royal Concertgebouw Orchestra, Bernard Haitink | D♭ Minor | 1 | 12A | 86 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegro vivace | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 146 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation VI - L'istesso tempo | Sergei Rachmaninoff, Cameron Carpenter, Christoph Eschenbach | E Minor | 1 | 9A | 96 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Suite for Piano, Op. 25: I. Präludium | Arnold Schoenberg, Glenn Gould | B♭ Major | 2 | 6B | 105 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Cantata No. 4: No. 2, Pastoral | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | D♭ Minor | 0 | 12A | 85 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
La Mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | D♭ Major | 1 | 3B | 86 BPM |