"Motetti, Book 1: O quam speciosa" by Alessandro Grandi, Argo, Kajsa Dahlback, Tuomo Suni, Dora Asterstad, Heidi Peltoniemi was released on March 1, 2014. Since Motetti, Book 1: O quam speciosa is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 13 in Canta la Serenissima by Argo. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. Motetti, Book 1: O quam speciosa is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Motetti, Book 1: O quam speciosa by Alessandro Grandi, Argo, Kajsa Dahlback, Tuomo Suni, Dora Asterstad, Heidi Peltoniemi is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae or Seven Tears: VIII. Mr Nicholas Gryffith his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Te Deum, H. 146: V. Tu de victo mortis aculeo | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak | B♭ Major | 4 | 6B | 106 BPM | ||
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Ojos, pues me desdeñais | José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Armide, LWV 71, Act I Scene 3: Suivons Armide et chantons sa Victoire (Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Marie Perbost, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Membra Jesu Nostri, BuxWV 75: Sonata [Ad cor] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
Minuet in A Minor, BWV Anh. 120 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Galliard in G Minor a 3 (23) | Orlando Gibbons, L'Achéron, François Joubert-Caillet | A Major | 1 | 11B | 142 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 37, Gott lebet noch, BWV 461 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM |