"Symphony No. 20 in B-Flat Major: II. Andante con moto" by Johann Christoph Friedrich Bach, Kolner Kammerorchester, Helmut Müller-Brühl was released on 1974. Since Symphony No. 20 in B-Flat Major: II. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Christoph Friedrich Bach, Kolner Kammerorchester, Helmut Müller-Brühl's "Johann Christoph Friedrich Bach: Symphonies Nos. 6, 10 & 20" album is number 7 out of 9. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Symphony No. 20 in B-Flat Major: II. Andante con moto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 20 in B-Flat Major: II. Andante con moto by Johann Christoph Friedrich Bach, Kolner Kammerorchester, Helmut Müller-Brühl to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 4 in G Major, K. 41: III. Molto allegro | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | G Major | 2 | 9B | 141 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 7: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 133 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: V. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 4 | 10B | 113 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Oboe Concerto in E Minor, TWV 51:e1: II. Allegro molto | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | F♯ Major | 4 | 2B | 126 BPM | ||
Sonatina in A Minor BR A 12/1: Allegretto | Johann Christoph Friedrich Bach, Jermaine Sprosse | G Major | 1 | 9B | 98 BPM | ||
Sonata in F Major BR A 18: II. Larghetto cantabile | Johann Christoph Friedrich Bach, Jermaine Sprosse | G Major | 1 | 9B | 98 BPM | ||
Sonata in C Major BR A 3: II. Andantino | Johann Christoph Friedrich Bach, Jermaine Sprosse | G Major | 1 | 9B | 98 BPM | ||
Symphony in A Major, Op. 1, No. 3, (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante | Arcangelo Corelli, Quido Holbling, Ludovit Kanta, Anna Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 131 BPM |