"30 Little Chorale Preludes, Op. 135a: No. 17. Meinen Jesum lass ich nicht" by Max Reger, Martin Welzel had its release date on May 27, 2008. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Reger, M.: Organ Works, Vol. 8". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. 30 Little Chorale Preludes, Op. 135a: No. 17. Meinen Jesum lass ich nicht is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 30 Little Chorale Preludes, Op. 135a: No. 17. Meinen Jesum lass ich nicht by Max Reger, Martin Welzel having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Serenade for Wind in D minor, Op.44: 1. Moderato, quasi marcia | Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung | F Major | 1 | 7B | 104 BPM | ||
Saint-Saëns: Sonate op. 168, I. Allegretto moderato | Camille Saint-Saëns, Vebjørn Anvik, Per Hannisdal | G Major | 1 | 9B | 65 BPM | ||
Serenade for Strings in E, Op.22: 5. Finale (Allegro vivace) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E Major | 1 | 12B | 84 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Variations and Fugue on a Theme by Bach, Op. 81: VIII. Variation VII. Adagio | Max Reger, Eden Walker | D Major | 0 | 10B | 133 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Variations and Fugue on a Theme by Bach, Op. 81: XIII. Variation XII. Andante Sostenuto | Max Reger, Eden Walker | D Major | 0 | 10B | 133 BPM |