"Gita no tame no juni no uta (12 Songs for Guitar): No. 5. Lennon / McCartney: Here, There and Everywhere" by Toru Takemitsu, Shin-ichi Fukuda was released on April 1, 2014. The duration of Gita no tame no juni no uta (12 Songs for Guitar): No. 5. Lennon / McCartney: Here, There and Everywhere is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Gita no tame no juni no uta (12 Songs for Guitar): No. 5. Lennon / McCartney: Here, There and Everywhere's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Takemitsu: Complete Original Solo Guitar Works". In this album, this song's track order is #15. In terms of popularity, Gita no tame no juni no uta (12 Songs for Guitar): No. 5. Lennon / McCartney: Here, There and Everywhere is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gita no tame no juni no uta (12 Songs for Guitar): No. 5. Lennon / McCartney: Here, There and Everywhere by Toru Takemitsu, Shin-ichi Fukuda having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban) | György Kurtág | D Minor | 0 | 7A | 141 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
La chanson d’Eve, Op. 95: No. 10, O mort, poussière d'étoiles | Gabriel Fauré, Sarah Connolly, Malcolm Martineau | D♭ Major | 0 | 3B | 91 BPM | ||
Piano Distance | Toru Takemitsu, Kotaro Fukuma | F Major | 0 | 7B | 137 BPM | ||
Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM |