Jerry Herman, Gene Barry, John Weiner, William Thomas Jr., Jay Garner, Merle Louise, Donald Pippin made "Cocktail Counterpoint" available on 1983. With Cocktail Counterpoint being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jerry Herman, Original Broadway Cast Recording's "La Cage Aux Folles" album is number 12 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, Cocktail Counterpoint's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cocktail Counterpoint by Jerry Herman, Gene Barry, John Weiner, William Thomas Jr., Jay Garner, Merle Louise, Donald Pippin to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Lesson | Meredith Willson | D♭ Major | 3 | 3B | 75 BPM | ||
Me And My Girl - Original Cast Recording/1986 | Robert Lindsay, Maryann Plunkett | B♭ Major | 2 | 6B | 91 BPM | ||
On How To Be Lovely | Fred Astaire, Audrey Hepburn, Kay Thompson | F♯ Minor | 3 | 11A | 76 BPM | ||
Who's Got the Pain? | Gwen Verdon, Bob Fosse | G Major | 6 | 9B | 117 BPM | ||
Nowadays/Hot Honey Rag - Medley Title | Renée Zellweger, Catherine Zeta-Jones, Taye Diggs | G Major | 5 | 9B | 108 BPM | ||
Lida Rose, Will I Ever Tell You (feat. Shirley Jones) | The Buffalo Bills, Shirley Jones | G Major | 3 | 9B | 110 BPM | ||
Shuffle Off to Buffalo | Joseph Bova, Carole Cook, Karen Prunczik, 42nd Street Ensemble | C Major | 3 | 8B | 146 BPM | ||
Sweet Charity: There's Gotta Be Something Better Than This | Cy Coleman, Gwen Verdon, Helen Gallagher, Thelma Oliver, Sweet Charity Original Broadway Cast, Fred Werner | D Major | 3 | 10B | 111 BPM | ||
I've Grown Accustomed To Her Face - Voice | Rex Harrison | F Major | 2 | 7B | 77 BPM | ||
Put On Your Sunday Clothes | Jerry Herman | G Minor | 6 | 6A | 170 BPM |