"Rodelinda, HWV 19: Act III - "Ahi perché, giusto ciel"" by Simone Kermes was released on March 13, 2009. Since Rodelinda, HWV 19: Act III - "Ahi perché, giusto ciel" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Simone Kermes's "Händel: Arias for Cuzzoni (La Diva)" album is number 7 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Rodelinda, HWV 19: Act III - "Ahi perché, giusto ciel"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rodelinda, HWV 19: Act III - "Ahi perché, giusto ciel" by Simone Kermes to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Andromeda liberata (Serenata Veneziana): Duo: Sposo amato / Cara sposa | Anonymus, Simone Kermes, Max Emanuel Cenčić, Venice Baroque Orchestra, Andrea Marcon | F♯ Major | 2 | 2B | 124 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
Griselda, RV 718, Act III, Scene 6: Recitativo (Gualtiero, Ottone) | Antonio Vivaldi, Jean-Christophe Spinosi, Ensemble Matheus, Stefano Ferrari, Simone Kermes | D Major | 2 | 10B | 196 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Rossi / Arr. Pluhar: L'Orfeo, Act 2: "Mio ben" (Eurydice) | Luigi Rossi, Christina Pluhar, Véronique Gens | D Minor | 1 | 7A | 119 BPM | ||
O intemerata (Il secondo libro de motetti a due, tre e quattro voci, Venezia, A. Vincenti, 1627) | Philippe Jaroussky, Ensemble Artaserse | F Major | 1 | 7B | 71 BPM | ||
Marazzoli / Arr. Pluhar: "Dal cielo cader vid'io due stelle" | Marco Marazzoli, Christina Pluhar, Jakub Józef Orliński | D Minor | 1 | 7A | 118 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM |