"Wesley: And Can It Be That I Should Gain (Sagina) - 4. Long My Imprisoned Spirit Lay" by Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir was released on January 1, 1985. With Wesley: And Can It Be That I Should Gain (Sagina) - 4. Long My Imprisoned Spirit Lay being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 88 out of 89 in Charles Wesley - 20 Favourite Hymns by Methodist Central Hall Choir, Westminster, John Chapman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Wesley: And Can It Be That I Should Gain (Sagina) - 4. Long My Imprisoned Spirit Lay is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wesley: And Can It Be That I Should Gain (Sagina) - 4. Long My Imprisoned Spirit Lay by Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir is Larghissimo, since this song has a tempo of 0 テンポ. With that information, we can conclude that the song has a slow tempo.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesley: Ye Servants of God (Laudate Dominum) - 4. Then Let Us Adore | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | B♭ Major | 3 | 6B | 58 BPM | ||
Behold How Very Good It Is (Psalm 133a) | Crown & Covenant | D Major | 2 | 10B | 84 BPM | ||
Christ Is Mine | Rejike | E♭ Minor | 1 | 2A | 94 BPM | ||
Amabile Alleluia | Sarah Quartel, Reading Phoenix Choir, Christopher Hann | E♭ Major | 2 | 5B | 99 BPM | ||
I Ask the Lord and Seek (Psalm 27b) | Crown & Covenant | G Major | 1 | 9B | 86 BPM | ||
Lauda anima "Praise, My Soul, the King of Heaven" | John Goss, Manchester Cathedral Choir, Jeffrey Makinson, Christopher Stokes | D Major | 1 | 10B | 87 BPM | ||
Wiltshire "Through All the Changing Scenes of Life" | George Thomas Smart, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | B♭ Major | 0 | 6B | 130 BPM | ||
Let us with a gladsome mind | Trad, Christ Church Cathedral Choir, Oxford, Stephen Darlington | A Major | 2 | 11B | 78 BPM | ||
Abide With Me (Arr. Julian Lee) | William Henry Monk, Julian Lee, Vladimir Kamirski, Melbourne Symphony Orchestra, Yvonne Kenny | A Minor | 2 | 8A | 95 BPM | ||
Wesley: What Shall I Do My God to Love (Jerusalem) - 1. What Shall I Do My God to Love | Methodist Central Hall Choir, Westminster, John Chapman | A Major | 3 | 11B | 178 BPM |