Minnesota Orchestra, Edo de Waart's 'Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent' came out on November 8, 1999. The duration of Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "R.Straus - Orchestral Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent by Minnesota Orchestra, Edo de Waart having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Minnesota Orchestra, Osmo Vänskä | D Minor | 2 | 7A | 171 BPM | ||
Romeo and Juliet, Op.64: Montagues and Capulets | Sergei Prokofiev, Rotterdam Philharmonic Orchestra, Edo de Waart | A Minor | 1 | 8A | 113 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: The Aquarium | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 75 BPM | ||
Belkis, Regina di Saba, P. 177: II. Danza guerresca (War Dance) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F♯ Minor | 4 | 11A | 140 BPM | ||
Fantasia in D Minor, K.397 | Wolfgang Amadeus Mozart, Kristian Bezuidenhout | G Major | 1 | 9B | 129 BPM | ||
Das Lied von der Erde: II. Der Einsame im Herbst (The Lonely One in Autumn) | Gustav Mahler, Michelle DeYoung, Minnesota Orchestra, Eiji Oue | B♭ Major | 0 | 6B | 75 BPM | ||
Symphonic Dances, Op. 45: III. Lento assai | Sergei Rachmaninoff, Minnesota Orchestra, Eiji Oue | D Minor | 1 | 7A | 125 BPM | ||
Götterdämmerung - Concert version / Dritter Aufzug: Siegfried's Funeral March | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | F Minor | 0 | 4A | 64 BPM | ||
Peer Gynt, Op. 23, Act IV: Solveigs sang (Solveig's Song) | Edvard Grieg, Minnesota Orchestra, Eiji Oue | A Minor | 0 | 8A | 165 BPM |