Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia made "Mystery (Rosary) Sonata No. 12, "The Ascension": III. Allemande" available on March 4, 2014. The duration of Mystery (Rosary) Sonata No. 12, "The Ascension": III. Allemande is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Mystery (Rosary) Sonata No. 12, "The Ascension": III. Allemande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 42 in Biber: Rosenkrantz Sonaten (Mystery Sonatas) by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen. Mystery (Rosary) Sonata No. 12, "The Ascension": III. Allemande is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mystery (Rosary) Sonata No. 12, "The Ascension": III. Allemande by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro | Johann Friedrich Fasch, Il Gardellino | A♭ Major | 2 | 4B | 99 BPM | ||
Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Hortus Musicus "Sonata Prima" in A Minor: Gigue | Johann Adam Reincken, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 2 | 8A | 116 BPM | ||
Concerto Armonico No. 1 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 115 BPM | ||
Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
Sinfonie et gagliarde, Libro 1: Sinfonia 11 "in Eco" | Salomone Rossi, Dorothee Oberlinger, Dmitry Sinkovsky | D Minor | 0 | 7A | 127 BPM | ||
Suite de pièces de clavecin en ré mineur: Canaries | Dom André Laberge | A♭ Minor | 4 | 1A | 112 BPM |