Giovanni Bottesini, Mikyung Sung, Clay Couturiaux, Bradetich Competition Orchestra made "Bottesini: Double Bass Concerto No. 2 in B Minor: III. Allegro" available on January 13, 2023. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 3 in Bottesini: Double Bass Concerto No. 2 in B Minor by Giovanni Bottesini, Mikyung Sung, Clay Couturiaux, Bradetich Competition Orchestra. Based on our statistics, Bottesini: Double Bass Concerto No. 2 in B Minor: III. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bottesini: Double Bass Concerto No. 2 in B Minor: III. Allegro by Giovanni Bottesini, Mikyung Sung, Clay Couturiaux, Bradetich Competition Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 124 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Sonatas for Violin Solo, Op. 27: Sonata No. 6 in E Major | Eugène Ysaÿe, Hilary Hahn | A Major | 2 | 11B | 103 BPM | ||
Pièces de clavecin, Book 1, 5th Ordre: Pieces de clavecin, Book 1: 5th Ordre in A Major-minor: La Tendre Fanchon (arr. I. Friedman for piano) | Ignaz Friedman, François Couperin, Joseph Banowetz | A Minor | 0 | 8A | 84 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Violin Concerto No. 4 In D Minor, MS 60: II. Adagio Flebile Con Sentimento | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | F♯ Minor | 1 | 11A | 101 BPM | ||
Spanish Dances, Op. 23: No. 5. Playera (arr. for viola and piano) | Pablo de Sarasate, Luigi Alberto Bianchi, Bruno Canino | G Minor | 0 | 6A | 68 BPM | ||
Concerto in B minor for Double-bass and Orchestra: 2. Andante | Giovanni Bottesini, Odon Racz, Franz Liszt Chamber Orchestra | G Major | 0 | 9B | 72 BPM | ||
Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A Minor | 1 | 8A | 124 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM |