Silvius Leopold Weiss, Michel Cardin made "Sonata No. 2 in D Major, WeissSW 2: I. Prelude" available on January 1, 2015. With Sonata No. 2 in D Major, WeissSW 2: I. Prelude being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #8 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 2 in D Major, WeissSW 2: I. Prelude is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 2 in D Major, WeissSW 2: I. Prelude by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 2 in D Major, WeissSW 2: I. Prelude being at 179 テンポ, the half-time would be 90 テンポ with a double-time of 358 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canción Francesca (Clemens Non Papa) | Antonio de Cabezón, Veronique Musson-Gonneaud | D Minor | 1 | 7A | 110 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: III. Adagio | Georg Philipp Telemann, Boris Begelman | E♭ Minor | 1 | 2A | 49 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Lute Sonata in B-flat Major, WeissSW 4: V. Gavotte | Silvius Leopold Weiss, Mauricio Buraglia | A Major | 1 | 11B | 74 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
Spanish Pavan | Thomas Robinson, Joachim Held | F♯ Minor | 1 | 11A | 96 BPM | ||
Ciaccona in A Major | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Major | 1 | 4B | 135 BPM | ||
36 Caprices, Op. 20: IV. Allegretto | Luigi Legnani, Pavel Steidl | E Major | 2 | 12B | 95 BPM | ||
Ezio: Aria. Vi fida lo sposo (Arr. For lute) | Johann Adolf Hasse, Axel Wolf | A♭ Minor | 0 | 1A | 114 BPM |