On March 4, 2014, the song "Sei canzoncine ou petits airs italiens (1808): No. 5. Voi siete luci belle" was released by Isabella Colbran, Maria Chiara Pizzoli, Marianne Gubri. With Sei canzoncine ou petits airs italiens (1808): No. 5. Voi siete luci belle being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 27 in Colbran: Italian Arias for Voice and Harp by Isabella Colbran, Maria Chiara Pizzoli. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Sei canzoncine ou petits airs italiens (1808): No. 5. Voi siete luci belle is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sei canzoncine ou petits airs italiens (1808): No. 5. Voi siete luci belle by Isabella Colbran, Maria Chiara Pizzoli, Marianne Gubri is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mai | Reynaldo Hahn, Susan Graham | F♯ Major | 1 | 2B | 68 BPM | ||
26 Welsh Songs, WoO 155: No. 25, The Parting Kiss | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Paysage sentimental | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
Torna a Surriento (Transcr. for Tenor, Piano and Harp) | Ernesto de Curtis, Jonathan Tetelman, Sophia Muñoz, Marion Ravot | E Major | 2 | 12B | 95 BPM | ||
Les Berceaux, Op. 23 No. 1 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
Le Camus: On n'entend rien dans ce bocage | Sébastien Le Camus, Lea Desandre, Thomas Dunford | F♯ Minor | 0 | 11A | 66 BPM | ||
Britten: Folksong Arrangements, Book 1 "British Isles": No. 1, The Salley Gardens | Benjamin Britten, Robert Tear, Philip Ledger | D♭ Major | 1 | 3B | 112 BPM | ||
The Triumphs of Hibernia: Let Earth and Air and Ocean | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Godard: Jocelyn, Op. 100, Act 2: "Cachés dans cet asile" (Jocelyn) | Benjamin Godard, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM |