"Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae" by Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen was released on April 3, 2020. With Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 28 out of 50. Based on our statistics, Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae by Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Dixit Dominus (Soloists, Chorus) | Antonio Lotti, Barbara Christina Steude, Annekathrin Laabs, David Erler, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung | B♭ Minor | 1 | 3A | 88 BPM | ||
Ave maris stella | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Elizabeth Nurse, Colin Danskin, Daniel Tate | B Minor | 2 | 10A | 71 BPM | ||
Sonata da camera in C Minor: I. Adagio | Johann Gottlieb Janitsch, Il Gardellino | B Minor | 1 | 10A | 81 BPM | ||
Il Vologeso, Act II: Recitativo: “A Cesare n’andrò” | Niccolò Jommelli, The Mozartists, Ian Page, Gemma Summerfield, Tom Verney, Stuart Jackson | B Minor | 2 | 10A | 103 BPM | ||
Missa Paschalis, ZWV 7: Credo. Credo in unum Deum | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Quartet in B-Flat Major, Op. 8, No. 2, WKO 62: I. Allegro con spirito | Carl Friedrich Abel, Il Gardellino | D♭ Major | 2 | 3B | 133 BPM | ||
Riccardo primo, HWV 23: Act III - "Morte vieni" | Simone Kermes | E Minor | 1 | 9A | 195 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": A Pastoral Dialogue Betwixt Thrsis and Iris (Bass, Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 130 BPM | ||
Prima d’esservi infedele, H. 578: Aria. Prima d’esservi infedele | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | C Major | 2 | 8B | 82 BPM |