"Winter Fragments: I. Winter Fragments The Earth" by Michael Berkeley, Fleur Barron, Berkeley Ensemble, Dominic Grier was released on September 28, 2018. With Winter Fragments: I. Winter Fragments The Earth being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Winter Fragments: Chamber Music by Michael Berkeley by Michael Berkeley, Fleur Barron, Berkeley Ensemble, Dominic Grier. The song's track number on the album is #5 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Winter Fragments: I. Winter Fragments The Earth is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Winter Fragments: I. Winter Fragments The Earth by Michael Berkeley, Fleur Barron, Berkeley Ensemble, Dominic Grier has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Winter Fragments: I. Winter Fragments The Earth being at 95 テンポ, the half-time would be 48 テンポ with a double-time of 190 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character): Theme: Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Leonard Slatkin, János Starker, Andreas Röhn, Oskar Lysy | C Major | 0 | 8B | 80 BPM | ||
Tristan und Isolde, WWV 90: I, AUFZUG 1: Vorspiel - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | E Major | 2 | 12B | 133 BPM | ||
Romance for Violin and Piano, Op.23 | Amy Beach, 대니 구(Danny Koo) | F♯ Major | 2 | 2B | 132 BPM | ||
Variations on a Hungarian Peasant Song, Op. 4 | Miklós Rózsa, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Violin Sonata in E-Flat Major, Op. 18, TrV 151: II. Improvisation. Andante cantabile | Richard Strauss, Tasmin Little, Piers Lane | D♭ Minor | 0 | 12A | 77 BPM | ||
Songs from "Friday Afternoons", Op. 7: Cuckoo! | Benjamin Britten, John Hahessy, Michael Berkeley | G Major | 0 | 9B | 109 BPM | ||
Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto | Gabriel Fauré, Anna Im, Chiao-Ying Chang | D Major | 1 | 10B | 69 BPM | ||
Lieder Ohne Worte, Drittes Heft, Op. 38 (Arr. for Violin and Piano by Ferdinand David): II. Allegro non troppo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
How Fair This Spot, Op. 21 No. 7 (Transcribed for cello and piano) | Dmitri Shostakovich, Boris Andrianov, Rem Urasin | A♭ Major | 1 | 4B | 107 BPM | ||
Variations on a Rococo Theme, Op. 33: Theme. Moderato semplice | Pyotr Ilyich Tchaikovsky, Alban Gerhardt, Stefan Blunier, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 97 BPM |