Aaron Copland, Colorado Symphony, Andrew Litton's 'Billy the Kid: No. 2, Street in a Frontier Town' came out on January 1, 2016. The duration of Billy the Kid: No. 2, Street in a Frontier Town is about 3 minutes long, at 3:12. Based on our data, "Billy the Kid: No. 2, Street in a Frontier Town" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 18 in Copland: Billy the Kid, Rodeo, El Salón México & An Outdoor Overture by Aaron Copland, Colorado Symphony, Andrew Litton. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Billy the Kid: No. 2, Street in a Frontier Town's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Billy the Kid: No. 2, Street in a Frontier Town by Aaron Copland, Colorado Symphony, Andrew Litton is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'Oye, M. 60 (Version for Orchestra): V. The Fairy Garden (Le jardin feerique) | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | G Minor | 1 | 6A | 117 BPM | ||
Clarinet Concerto in C Minor, Op. 31: I. Allegro vigoroso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 79 BPM | ||
Bachianas Brasileiras No. 5 | Heitor Villa-Lobos, Branford Marsalis, Andrew Litton, English Chamber Orchestra | D Minor | 1 | 7A | 64 BPM | ||
Symphony No. 2 in B Minor: II. Scherzo: Prestissimo. Trio: Allegretto | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | F Major | 2 | 7B | 121 BPM | ||
Symphonic Suite (From the Film "On The Waterfront"): Andante - Presto barbaro Presto barbaro | Leonard Bernstein | F Minor | 3 | 4A | 142 BPM | ||
The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Major | 3 | 9B | 58 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso (Tempo giusto) | Franz Liszt, Alexander Ullman, BBC Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 73 BPM | ||
Symphony No. 1 "Jeremiah": II. Profanation | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM |