Pyotr Ilyich Tchaikovsky, David Trio's 'Piano Trio in A Minor, Op. 50: IIa. Tema con variazionI & IIb. Variazione finale e coda' came out on April 30, 2011. Piano Trio in A Minor, Op. 50: IIa. Tema con variazionI & IIb. Variazione finale e coda appears to be safe for all ages as it is not explicit. There are a total of 18 in the song's album "Tchaikovsky & Shostakovich: Piano Trios". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Italy. Based on our statistics, Piano Trio in A Minor, Op. 50: IIa. Tema con variazionI & IIb. Variazione finale e coda's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Trio in A Minor, Op. 50: IIa. Tema con variazionI & IIb. Variazione finale e coda by Pyotr Ilyich Tchaikovsky, David Trio having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Praeludium and Allegro | Fritz Kreisler, Joshua Bell, Paul Coker | E Minor | 2 | 9A | 103 BPM | ||
Masquerade, Ballet Music - Suite from the Music to the "Drama of Lermontov": I. Waltz | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Symphony Orchestra | C Major | 5 | 8B | 97 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM |