Max Bruch, Kent Nagano, Orchestre de l'Opéra de Lyon made "Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: I. Andante con moto" available on 1990. Since Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: I. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 12 in Bruch : Works for Clarinet & Viola (Apex) by Max Bruch, Paul Meyer, Gérard Caussé, François-René Duchable, Kent Nagano & Orchestre de l'Opéra de Lyon, Kent Nagano, Orchestre de l'Opéra de Lyon. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: I. Andante con moto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: I. Andante con moto by Max Bruch, Kent Nagano, Orchestre de l'Opéra de Lyon is Allegro (fast, quick, and bright), since this song has a tempo of 134 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 0 | 4B | 102 BPM | ||
Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings Upon Arrival in the Country: Allegro ma non troppo | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | C Major | 0 | 8B | 115 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |