"Lucia di Lammermoor, Act I, Scena seconda: Verrano a te sull'aura i miei sospiri ardenti (Lucia/Edgardo) - 2004 Digital Remaster" by Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin was released on 1954. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 42 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Maria Callas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Lucia di Lammermoor, Act I, Scena seconda: Verrano a te sull'aura i miei sospiri ardenti (Lucia/Edgardo) - 2004 Digital Remaster is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor, Act I, Scena seconda: Verrano a te sull'aura i miei sospiri ardenti (Lucia/Edgardo) - 2004 Digital Remaster by Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann, Act II: Les oiseaux dans la charmille (Olympia/Choeurs) | Jacques Offenbach, Luciana Serra, Brussels National Opera Chorus, Orchestre Symphonique de l'Opéra National, Bruxelles, Sylvain Cambreling, Orchestre Symphonique Et Choeurs De L'Opéra National Du Théâtre Royal De La Monnaie (Brüssel) | G Major | 0 | 9B | 179 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Franco Corelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B Minor | 1 | 10A | 84 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 1 | 9B | 101 BPM | ||
Don Pasquale: Act I: Son nov'ore | Gaetano Donizetti, Roberto Abbado | A♭ Major | 1 | 4B | 93 BPM | ||
Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM |