"Gemeaux: III. Traces" by Toru Takemitsu, Ryusuke Numajiri, Tokyo Metropolitan Symphony Orchestra, Hiroshi Wakasugi, Masahi Honma, Christian Lindberg had its release date on January 1, 2009. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Takemitsu: Orchestral Works II". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Gemeaux: III. Traces is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gemeaux: III. Traces by Toru Takemitsu, Ryusuke Numajiri, Tokyo Metropolitan Symphony Orchestra, Hiroshi Wakasugi, Masahi Honma, Christian Lindberg having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
Lento in due movimenti: II. Lento misteriosamente | Toru Takemitsu, Kotaro Fukuma | D Major | 0 | 10B | 67 BPM | ||
Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | D Minor | 0 | 7A | 101 BPM | ||
Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Piano Pieces for Children: No. 2. Clouds | Toru Takemitsu, Kotaro Fukuma | A Major | 0 | 11B | 96 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Visions Fugitives, Op. 22: 7. Pittoresco | Sergei Prokofiev, Anna Gourari | D Major | 0 | 10B | 78 BPM | ||
Umi e (Toward the Sea): II - Moby Dick | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | D♭ Major | 0 | 3B | 74 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prelude - Arr. for Marimba | Johann Sebastian Bach, Kuniko | F♯ Major | 1 | 2B | 63 BPM |