"Partita No. 13 in A Minor: I. Preluda" by August Kuhnel, John Dornenburg had its release date on January 1, 2004. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Viola Da Gamba Recital: Dornenburg, John - Hume, T. / Sainte-Colombe, J. / Simpson, C. / Kuhnel, A. / Abel, C.F. by John Dornenburg. The song's track number on the album is #10 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Partita No. 13 in A Minor: I. Preluda is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Partita No. 13 in A Minor: I. Preluda by August Kuhnel, John Dornenburg has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Partita No. 13 in A Minor: I. Preluda being at 109 テンポ, the half-time would be 54 テンポ with a double-time of 218 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: III. Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Partita for Violin and Lute in G Minor, BWV 997r: III. Sarabande | Johann Sebastian Bach, Combattimento | G Minor | 1 | 6A | 88 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Sonate o partite No. 13 in A Minor: II. Allemande | August Kuhnel, Focus Baroque | D♭ Major | 1 | 3B | 50 BPM | ||
2e Livre de Sonates à violon seul et basse continue, Sonata X: Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata for two Cellos in E Minor: I. Largo | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Simone Vallerotonda, Andrea Buccarella | G Major | 0 | 9B | 123 BPM | ||
Sonata terza a violoncello solo e basso continuo: III. Largo | Giovanni Benedetto Platti, Hanna Salzenstein, Thibaut Roussel, Albéric Boullenois | D♭ Minor | 6 | 12A | 157 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Dances: Sighes | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Major | 1 | 8B | 85 BPM | ||
Polonaise in G Minor, BWV Anh. 125 | Carl Philipp Emanuel Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM |