Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis made "Cello Suite No. 3 in C Major, BWV 1009: V. Bourree I-II (arr. for violin and piano)" available on May 25, 2010. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Takako Nishizaki Plays Suzuki Evergreens, Vol. 2". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. Cello Suite No. 3 in C Major, BWV 1009: V. Bourree I-II (arr. for violin and piano) is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Cello Suite No. 3 in C Major, BWV 1009: V. Bourree I-II (arr. for violin and piano) by Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegro | Joseph-Hector Fiocco, Takako Nishizaki, Terence Dennis | G Major | 3 | 9B | 114 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Violin Concerto in G Minor, Op. 12, No. 1, RV 317 (arr. for violin and piano): I. Allegro | Anonymous, Antonio Vivaldi, Takako Nishizaki, Terence Dennis | G Minor | 2 | 6A | 89 BPM | ||
Duport : Duo for 2 cellos in G major, Op.1/3 : Adagio-Presto | Jean-Louis Duport, Frédéric Lodéon, Xavier Gagnepain | G Major | 1 | 9B | 87 BPM | ||
Concerto per Violino, archi e basso continuo in la minore, A-Moll, op. 3/6: III. Presto | Baroque Festival Orchestra, Alberto Lizzio, Alexander Pervomaysky | A Minor | 3 | 8A | 129 BPM | ||
Quartet in G major / Sol majeur / G-dur: I. Largo - Allegro - Largo | Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester | F♯ Major | 1 | 2B | 123 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Album fur die Jugend, Op. 68, Part I: Fur Kleinere: No. 10. Frohlicher Landmann, von der Arbeit zuruckkehrend (arr. for violin and piano) | Robert Schumann, Shinichi Suzuki, Takako Nishizaki, Terence Dennis | G Major | 2 | 9B | 118 BPM | ||
Gavotte (arr. for violin and piano) | Anonymous, Jean-Philippe Rameau, Takako Nishizaki, Terence Dennis | D Major | 1 | 10B | 88 BPM |