"Rhapsody On a Theme of Paganini, Op. 43: V. Variation XVIII" by Sergei Rachmaninoff, Valery Gergiev, Mariinsky Orchestra, Denis Matsuev was released on February 1, 2010. The duration of Rhapsody On a Theme of Paganini, Op. 43: V. Variation XVIII is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Rhapsody On a Theme of Paganini, Op. 43: V. Variation XVIII's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Rachmaninov: Piano Concerto No. 3 & Rhapsody On a Theme of Paganini". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Russia. The popularity of Rhapsody On a Theme of Paganini, Op. 43: V. Variation XVIII is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody On a Theme of Paganini, Op. 43: V. Variation XVIII by Sergei Rachmaninoff, Valery Gergiev, Mariinsky Orchestra, Denis Matsuev having a テンポ of 175 with a half-time of 88 テンポ and a double-time of 350 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
Liebesleid | Fritz Kreisler, Sergei Rachmaninoff | A Minor | 0 | 8A | 77 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Meditation: Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM |