"Illuminare, Jerusalem [1985 – premiere]" by Judith Weir, Stephen Cleobury, Choir of King's College, Cambridge was released on November 9, 2018. The duration of Illuminare, Jerusalem [1985 – premiere] is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Illuminare, Jerusalem [1985 – premiere]'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Years of Nine Lessons & Carols, so we believe that "Illuminare, Jerusalem [1985 – premiere]" is a single. The popularity of Illuminare, Jerusalem [1985 – premiere] is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Illuminare, Jerusalem [1985 – premiere] by Judith Weir, Stephen Cleobury, Choir of King's College, Cambridge is Presto (very, very fast), since this song has a tempo of 182 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ipsa Te Cogat | Orlande de Lassus, Maîtrise de la Cathédrale de Strasbourg | A Minor | 1 | 8A | 66 BPM | ||
Songs on One Page, H. 294: No. 1, Rosička | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A♭ Major | 0 | 4B | 77 BPM | ||
The Vanishing Bridegroom, Act I: The Wood. The Lover Vanishes | Judith Weir, Stephen Jeffes, Jonathan Lemalu, Nicolas Simeha, Jonathan Saunders, Paul Haas-Curievici, BBC Symphony Orchestra, Martyn Brabbins | F Minor | 2 | 4A | 119 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
The Isle is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 104 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Major | 1 | 3B | 77 BPM | ||
Lay a Garland | Robert Lucas Pearsall, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 80 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
Yver, vous n'estes qu'un villain | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | B Major | 0 | 1B | 78 BPM |