"Equinox - Duo-Art 0350" by John Ireland, Frank Laffitte, Peter Phillips was released on December 7, 2023. The duration of Equinox - Duo-Art 0350 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Equinox - Duo-Art 0350's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 21 in Equinox. Piano Evocations from the Golden Age by Peter Phillips, Cyril Scott, Cécile Chaminade, Franz Liszt, Nikolai Medtner, Domenico Scarlatti, Robert Schumann, Anatoly Lyadov, Johann Strauss II, John Ireland, Alexander Glazunov, Franz Schubert, Modest Mussorgsky, Pyotr Ilyich Tchaikovsky, Frédéric Chopin, Johannes Brahms, Sergei Prokofiev, Isaac Albéniz, Richard Strauss, George Frideric Handel, Gustav Mahler, John Henry Powell. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Equinox - Duo-Art 0350 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Equinox - Duo-Art 0350 by John Ireland, Frank Laffitte, Peter Phillips is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Psalm 36, "Cantate Domino" | Michael Joncas, The Cathedral Singers | F Major | 3 | 7B | 122 BPM | ||
For the Beauty of the Earth (Version for Choir & Piano) | Philip Stopford, The Ecclesium Choir | A♭ Major | 1 | 4B | 143 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Vespers, Op. 43 O Gentle Light o Holy Gliry | Mikhail Ippolitov-Ivanov, Chamber Choir, Lege Artis | B Major | 0 | 1B | 71 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Burial Sentences: VII. I Heard A Voice From Heav'n | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | E♭ Major | 1 | 5B | 177 BPM | ||
Messe Solennelle, Op. 12, FWV 61: Messe solennelle, Op. 12, FWV 61: Panis Angelicus | The Cathedral Singers, John Eskola, Thomas Yang, Katherine Hughes, Elizabeth Holzman, Richard Yeo, Collins Trier, Aaron David Miller | A Major | 2 | 11B | 81 BPM | ||
3 Songs: No. 3. The one hope | John Ireland, Benjamin Luxon, Alan Rowlands | G Minor | 0 | 6A | 96 BPM |