"Psycho: The Murder" by Tasmanian Symphony Orchestra, Andrew Greene was released on October 5, 2012. With Psycho: The Murder being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Tasmanian Symphony Orchestra's "Halloween Classics" album is number 18 out of 25. In terms of popularity, Psycho: The Murder is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Psycho: The Murder by Tasmanian Symphony Orchestra, Andrew Greene to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahm's Lullaby | ABC for Babies, Tasmanian Symphony Orchestra | G Major | 1 | 9B | 68 BPM | ||
GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra | Stephan Koncz, Niklas Liepe, NDR Radiophilharmonie, Jamie Phillips | G Major | 1 | 9B | 117 BPM | ||
Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra | E Minor | 4 | 9A | 172 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 71 BPM | ||
Eternal Source Of Light Divine (Ode For The Birthday Of Queen Anne), HWV 74 | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | D♭ Major | 2 | 3B | 76 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
Water Music Suite, HWV 348-350: 12. Alla Hornpipe | Graham Abbott, Tasmanian Symphony Orchestra | D Major | 1 | 10B | 115 BPM | ||
String Quartet No. 2 in D major: III. Notturno - Andante | Alexander Borodin, Chilingirian Quartet | A Major | 1 | 11B | 84 BPM |