Luciano Pavarotti, Sting, Zucchero, Lucio Dalla, Brian May, Orchestra da Camera Arcangelo Corelli, Aldo Sisilli's 'Rigoletto / Act 3: "La donna è mobile"' came out on January 1, 1993. The duration of Rigoletto / Act 3: "La donna è mobile" is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Rigoletto / Act 3: "La donna è mobile"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Pavarotti & Friends". In this album, this song's track order is #14. Based on our statistics, Rigoletto / Act 3: "La donna è mobile"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto / Act 3: "La donna è mobile" by Luciano Pavarotti, Sting, Zucchero, Lucio Dalla, Brian May, Orchestra da Camera Arcangelo Corelli, Aldo Sisilli having a テンポ of 140 with a half-time of 70 テンポ and a double-time of 280 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) | Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | F Major | 0 | 7B | 139 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Insieme A Te | Alessandro Safina | D Major | 4 | 10B | 111 BPM | ||
Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM | ||
I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | G Minor | 3 | 6A | 84 BPM | ||
Una Furtiva Lagrima (Acto II) - L'Elisir d'Amore | Tito Schipa | B♭ Minor | 1 | 3A | 78 BPM | ||
Cleofide: Generoso risuegliati o core (Air de Poro) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | A♭ Major | 3 | 4B | 152 BPM | ||
Perfect Day - Live | Lou Reed, Luciano Pavarotti, José Molina, Orchestra Sinfonica Italiana | B♭ Minor | 5 | 3A | 156 BPM | ||
O Mio Bambino Care | Gianni Schicchi, Tivolis Promenadeorkester, Louise Fribo, Hans Nielsen, Bjørn Hyrup | A♭ Major | 3 | 4B | 70 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM |