"The Lover in Winter: Iam nocet frigus teneris" by Thomas Adès, Robin Blaze/Huw Watkins was released on February 24, 2004. With The Lover in Winter: Iam nocet frigus teneris being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 15 in America by Thomas Adès. The Lover in Winter: Iam nocet frigus teneris is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Lover in Winter: Iam nocet frigus teneris by Thomas Adès, Robin Blaze/Huw Watkins is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Miroirs: V. La vallée des cloches | Maurice Ravel, André Laplante | D♭ Major | 0 | 3B | 69 BPM | ||
Préludes / Book 1, L.117: 8. La fille aux cheveux de lin | Claude Debussy, Pierre-Laurent Aimard | F♯ Major | 0 | 2B | 135 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
The Sacred Veil: V. Whenever There is Birth | Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards | G Minor | 0 | 6A | 77 BPM | ||
Violin Concerto, "Concentric Paths": I. Rings | Thomas Adès, Augustin Hadelich, Hannu Lintu, Royal Liverpool Philharmonic Orchestra | D Major | 3 | 10B | 116 BPM | ||
Kitsch-Musik: I. Allegro vivace | Valentin Silvestrov, Elisaveta Blumina | G Minor | 0 | 6A | 66 BPM | ||
Estampes, L. 100: 1. Pagodes | Claude Debussy, Daniel Barenboim | B Major | 0 | 1B | 68 BPM | ||
Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM |