"West Side Story: Act II: Somewhere" by Leonard Bernstein, Marni Nixon, Jim Bryant, Johnny Green was released on 1961. The duration of West Side Story: Act II: Somewhere is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. West Side Story: Act II: Somewhere's duration is considered a little bit shorter than the average duration of a typical track. This song is part of West Side Story (Original Motion Picture Soundtrack) by Leonard Bernstein. The song's track number on the album is #15 out of 19 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, West Side Story: Act II: Somewhere is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since West Side Story: Act II: Somewhere by Leonard Bernstein, Marni Nixon, Jim Bryant, Johnny Green has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With West Side Story: Act II: Somewhere being at 97 テンポ, the half-time would be 48 テンポ with a double-time of 194 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Mondo Era Vuoto | Matthew Morrison, Mark Harelik, Adam Guettel | E♭ Major | 2 | 5B | 67 BPM | ||
Finale | Joel Grey | E♭ Major | 4 | 5B | 83 BPM | ||
There Are Worse Things I Could Do - From “Grease” | Stockard Channing | G Major | 2 | 9B | 101 BPM | ||
Suddenly, Seymour | Rick Moranis, Ellen Greene, Michelle Weeks, Tichina Arnold, Tisha Campbell | A Major | 3 | 11B | 115 BPM | ||
The Pajama Game: Hey There | Richard Adler, Jerry Ross, John Raitt, The Original Broadway Cast Of The Pajama Game, Hal Hastings | F♯ Major | 2 | 2B | 85 BPM | ||
Brotherhood of Man | Robert Morse, Sammy Smith, Ruth Kobart, How to Succeed in Business Without Really Trying Ensemble | G Minor | 3 | 6A | 96 BPM | ||
Love I Hear | Brian Davies | G Major | 1 | 9B | 171 BPM | ||
When Federic Was a Little Lad | The Pirates Of Penzance | F Minor | 3 | 4A | 110 BPM | ||
Don't Look At Me | Dorothy Collins, John Mcmartin | D Major | 2 | 10B | 64 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): L'istesso tempo - Più mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 84 BPM |