Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder made "Pièces de Viole, Suite No. 1 in A Minor: IV. La mariée" available on 2012. With Pièces de Viole, Suite No. 1 in A Minor: IV. La mariée being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder's "Marais: Pièces de Viole, Book 5" album is number 4 out of 110. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Pièces de Viole, Suite No. 1 in A Minor: IV. La mariée is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pièces de Viole, Suite No. 1 in A Minor: IV. La mariée by Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonates sans basse: Sonata No. 2 in D Major, TWV 40:102: Dolce | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | D Major | 1 | 10B | 126 BPM | ||
Jupiter | Antoine Forqueray, Scott Ross | B Minor | 5 | 10A | 84 BPM | ||
Serenata "Venere e Amore": Sinfonia | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D Major | 2 | 10B | 73 BPM | ||
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Le Bourgeois gentilhomme, LWV 43: Canaries | Jean-Baptiste Lully, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Minor | 2 | 5A | 84 BPM | ||
Prelude in C Minor, BWV 999 | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Le Bourgeois gentilhomme, LWV 43, Act IV Scene 3: Marche pour la cérémonie des Turcs | Jean-Baptiste Lully, The London Oboe Band, Paul Goodwin, Marie-Ange Petit | A Major | 2 | 11B | 77 BPM | ||
Manuscrit Panmure: Plainte in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Minor | 1 | 12A | 78 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Marais: Pièces de viole, Livre IV, Suitte d'un goût étranger: No. 68, L'Amériquaine | Marin Marais, Thomas Dunford, Jupiter | B Major | 0 | 1B | 75 BPM |