"Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VII. Amor volat undique (The Goddess of Love flies everywhere)" by John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker was released on August 29, 2006. The duration of Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VII. Amor volat undique (The Goddess of Love flies everywhere) is about 3 minutes long, at 3:28. Based on our data, "Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VII. Amor volat undique (The Goddess of Love flies everywhere)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Orff: Carmina Burana Suite / Bird: Serenade / Reed: La Fiesta Mexicana". In this album, this song's track order is #7. Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VII. Amor volat undique (The Goddess of Love flies everywhere) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VII. Amor volat undique (The Goddess of Love flies everywhere) by John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata: I. Allegro maestoso | Eric Ewazen, Jonathan Feldman, Joseph Alessi | B♭ Major | 1 | 6B | 131 BPM | ||
Wine-Dark Sea (Symphony for Band): I. Hubris | John Mackey, The University of Texas Wind Ensemble, Jerry Junkin | B♭ Minor | 1 | 3A | 81 BPM | ||
Wedding Dance | Jacques Press, Columbus State University Wind Ensemble, Robert W. Rumbelow | F Minor | 6 | 4A | 149 BPM | ||
T-bone Concerto: II. Medium | Johan de Meij, N/A, Christian Lindberg, Heinz Friesen, Symphonic Wind Orchestra Harmonie St. Michaël Thorn | F Major | 1 | 7B | 86 BPM | ||
Ecuus Ferus I | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D♭ Minor | 0 | 12A | 85 BPM | ||
Paris Sketches: No. 4. Les halles | Martin Ellerby, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 2 | 5B | 146 BPM | ||
Suite of Old American Dances: II. Schottische | Robert Russell Bennett, Lone Star Wind Orchestra, Eugene Migliaro Corporon | E♭ Major | 0 | 5B | 118 BPM | ||
"Country Gardens" | US Marine Band | E♭ Major | 2 | 5B | 169 BPM | ||
Tuba Concerto: I. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | F Major | 1 | 7B | 117 BPM | ||
The National Game | John Philip Sousa | B♭ Major | 3 | 6B | 117 BPM |