György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu's 'Violin Concerto: I. Praeludium' came out on November 1, 2013. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in György Ligeti, Hannu Lintu's "Ligeti: Violin Concerto, Lontano, Atmosphères & San Francisco Polyphony" album is number 2 out of 8. On top of that, Finland appears to be the country where this track was created. Based on our statistics, Violin Concerto: I. Praeludium's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto: I. Praeludium by György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verklarte Nacht (Transfigured Night), Op. 4: Sehr langsam - | Arnold Schoenberg, Fred Sherry String Sextet | C Minor | 1 | 5A | 59 BPM | ||
Miroirs: IV. Alborada del gracioso | Maurice Ravel, André Laplante | D Major | 1 | 10B | 140 BPM | ||
Oboe with Reversal Reflections | Björn Marberg, Winterbjôrn | A♭ Minor | 0 | 1A | 134 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Simon Trpčeski, Andrei Kavalinski, Cristian Măcelaru, Janáček Philharmonic Ostrava | A♭ Major | 1 | 4B | 75 BPM | ||
Piano Sonata, Op.1 | Alban Berg, Pierre-Laurent Aimard | E Minor | 1 | 9A | 74 BPM | ||
String Quartet No. 1 in A Minor, Op. 41 No. 1: III. Adagio | Robert Schumann, Quatuor Hanson | E♭ Major | 4 | 5B | 109 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
China Gates | John Adams | E♭ Minor | 1 | 2A | 165 BPM | ||
II. Mesto, rigido e cerimoniale | György Ligeti, Claudia Janet Birkholz | D♭ Major | 0 | 3B | 135 BPM |